Restoring pieces of furniture rather than replacing, using natural and authentic materials rather than artificial, synthetic materials, working with hand tools rather than power tools, are amongst the many reasons why traditional re-upholstery is regarded as one of the most sustainable crafts within the UK. And why the craft trade’s carbon footprint is so much lower than that of its sister trade, furniture manufacture. To pick from multiple research studies, the climate action group WRAP UK’s 2019 data reveals that the recycling of second-hand sofas, for example, avoids 52,000 tonnes of CO2 equivalent per year. https://wrap.org.uk/sites/default/files/2020-09/WRAP-Domestic%20Furniture%20chapter_final.pdf

When you think of bespoke upholstery, design is what probably springs to mind first. Then perhaps it’s the size to fit your space. Of course, good design is imperative, as are the construction and materials... but those "finishing touches" are of equal significance. And once you know the signs, you won’t accept anything less.

We are talking bespoke trims, hand-sewn corners, coordinated gimp pins, fine bottoming cloth, and last but not least the traditional upholsterer's favourite... tacks, which all suggest a quality piece, built with care, made to last.

I knew as soon as this stunning suzani rug arrived at my studio that the result was going to be one of the most striking footstools I have made, hence well worth a blog post.

The suzani was the customer’s own, and I was tasked with proposing the optimal size and shape to make the most of the beautiful design of the fabric, alongside consideration of their space requirements. The fabric itself had a pretty, narrow rectangular border encasing a central design, and this naturally lent itself to guide the shape and size of the footstool; the customer had a specific length of stool in mind which I was able to slightly tweak to ensure the border band could be seen either end.

Never before have we spent so much time in our homes.

Spending so much time at home has made me take notice of how my surroundings actually make me feel. I have always had a keen eye for interiors and as an upholsterer, am always on the lookout for antique projects for my home…., but I mean how the surroundings make us feel emotionally and how we use our space. Like many, I have embraced darker tones in my home over the last couple of years, but suddenly, I’m feeling the need for light and colour. I love Inchyra Blue and Downpipe Grey, but somehow, the light and airiness and a splash of colour are what I feel I need right now to lift my emotions, and I’ve noticed that I am spending more time in the lightest room in my home, perhaps because of this.